I work across painting, sculpture, and installation to explore the continuity between actual and virtual space. My practice ranges from post-human sculptural figures to optical installations and performative painting of gamescapes.

Selected Exhibitions & Projects

  • Autumn Exhibition (Group), November 2024, Art Pavilion 'Cvijeta Zuzorić', Belgrade
  • Needy, Nerdy, Artificial (Group), 2024, TITLED, Copenhagen
  • SPOR (Group), 2024, Udstillingsstedet Sydhavn Station, Copenhagen
  • Anthroposcapes (Solo), 2023, Reflektor, Užice – Supported by Danish Kunstfond
  • THERYTORY: Simulated Spaces (Group), 2023, TITLED, Copenhagen
  • Gapscapes (Solo), 2022, Kvaka 22, Belgrade
  • Kunstnernes Efterårsudstilling (Group), 2021, Den Frie Udstillingsbygning, Copenhagen

UPCOMING

  • Exhibition of Awarded Works (Group), February 12, 2025, ULUS Gallery, Belgrade
  • Proleće/Leto 2027, 2025, Strygerum, Copenhagen
  • Topologies of Trash (Solo), 2026, ULUS Gallery, Belgrade

EDUCATION

  • MA in Screenwriting, London Film School, Metropolitan University, London
  • MA in Sculpture, Faculty of Fine Arts, University of Arts, Belgrade

Spring/summer 2027 Collection, 2024, charcoal drawing on wall, 3D-printed bioplastic cases, biconvex lenses, C-print photographs, LED lights, 12V power adapter, power distribution board, 400 x 300 x 12 cm.

Spring/summer 2027 Collection, 2024, charcoal drawing on wall, 3D-printed bioplastic cases, biconvex lenses, C-print photographs, LED lights, 12V power adapter, power distribution board, 400 x 300 x 12 cm.

WASTE TOPOLOGIES,  2026, installation view, rubbish bags filled with recycled plastic bottles, smaller plastic items, fresh oranges, painted brick walls. Approx. dimensions: 300 x 300 x 400 cm. Digital render.

FRANKENKANINEN, 2024, 3D-printed sculpture, modular bioplastic segments, bioplastic cases, biconvex lenses, artificial fur, insects, forest debris, microSD card, smartphones (iPhone SE), digital videos, variable duration, power adapters (USB chargers), iron weights, cardboard spools, PLA filament, 220 x 150 x 100 cm. Installation view from Needy Nerdy Artificial chain exhibition, Episode 1.

FRANKENKANINEN, 2024, 3D-printed sculpture, modular bioplastic segments, bioplastic cases, biconvex lenses, artificial fur, insects, forest debris, microSD card, smartphones (iPhone SE), digital videos, variable duration, power adapters (USB chargers), iron weights, cardboard spools, PLA filament, 220 x 150 x 100 cm. Installation view from Needy Nerdy Artificial chain exhibition, Episode 4, featuring MARE by Uffe Isolotto.

Bunny Choir, 2024, modified candy dispensers, acrylic paint, solid pigment blocks, metal screwdriver bits, rubber, thermoplastic 3D detailing, 30 x 25 x 3 cm.

CHARCOAL BUNNY, 2024, charcoal drawing on cotton paper, denim backing, 3D printed inner frame, bioplastic, wooden outer frame, glass, 40 x 30 cm. Installation view from Needy Nerdy Artificial chain exhibition, Episode 2, featuring I screen – to conceal, to see, and to show by Rebecca Krasnik.

Foxxy 2021, oil on canvas, 65 x 65 cm.

Mummies, Daddies, Us All, 2024, oil on panel, polyptych of 16 paintings, each 30 x 37 cm, arranged in a seamless line, 480 x 30 x 3 cm.

Bunny Rave, 2021, oil on canvas, 195 x 200 cm.

Bunny Rave, 2021, oil on canvas, 195 x 200 cm, Kunstnernes Efterårsudstilling 2021, installation view.

THERYTORY: Simulated Spaces, Episode 2, 2023, mural, chalk drawing combined with original layers of white plaster on animal glue-based wall paint, on an uncovered early 20th-century wall in a former shop in Ægirsgade, Nørrebro, now housing TITLED, an artist-run exhibition space.

Gapscapes, 2022, performance timelapse, Kvaka 22, Belgrade.

GAPSCAPES, 2022, polyptych, 28 pieces, oil on canvas, each piece 55 x 55 cm,

Wolfenstein, 2024, site-specific mural, charcoal, 262 × 480 cm, oil on canvas, 80 × 100 cm. Installation view from SPOR at Udstillingsstedet Sydhavn Station.